Welcome to the Funhouse

what a wicked game to play to make me feel this way
what a wicked thing to do to let me dream of you
what a wicked thing to say you never felt this way

(Source: faberrya, via jennception)

Why your contribution to my project (and projects like mine) is important:

kbs-was-here:

image

So, you probably maybe have noticed that I’m making this movie and circulating a link to IndieGogo like crazy (look, here it is, again: http://igg.me/at/probablerobot/x/3610). And yeah, I’m really wanting to raise the money so I can make this movie. But it’s about more than just this one film.

Raising a significant amount of money for this project means:

  • It will have a higher production value, which will make people take it more seriously than if I just shot it on the fly, out of pocket.
  • When I circulate this movie and say, “This was funded by people who want to see these kinds of stories,” the larger the amount raised, the more they’ll take notice of it.
  • I have other projects with queer female leads already in mind, ones that I’d like to shoot after this one.

Your support, your specific support, from you to an independent project like this one, means you are empowered to help enable this kind of representation in the media.

Be the change. Because those of us with the vision to get things done can only get so far without the support of those around us.

Find us at probablerobot.com.

sickofmyownvoice:

Still got it @msamberpriley

sickofmyownvoice:

Still got it @msamberpriley


@DiannaAgron Once a ballerina, always a ballerina? This one’s for you Mom. Photo by @druidDUDE 
kevinmchale Still got it @diannaagron
‏@DiannaAgron You sweetie.

@DiannaAgron Once a ballerina, always a ballerina? This one’s for you Mom. Photo by @druidDUDE

kevinmchale Still got it @diannaagron

‏@DiannaAgron You sweetie.

(Source: jennception, via jennception)

Once a ballerina, always a ballerina….

(Source: jennception)

sickofmyownvoice:

Got dat @nayarivera

sickofmyownvoice:

Got dat @nayarivera

sloppypapaya:

fandoms-are-my-one-true-love:

Have you ever watched the movie adaption to a book you’ve read and realise you’ve been pronouncing a characters name completely wrong?

I am correct. They are wrong.

(via tantoun)

uzlolzu:

My process for all the paisley armchair pictures. I sometimes forgot to save iterations regularly, so they’re a bit uneven (especially the blue one).

Sorted in the order they were made.

(via z-tagada)

moonkistprincess:

"i was born in the wrong generation" i say as i steal my grandkids hoverboards because fuck you i was promised these years ago

(via z-tagada)

magicisthebestandihavemagic:

panikfaze:

joshifers-love-child:

Some of the most powerful pictures of all time

The Falling Man always gives me chills. 

The Auschwitz one is horrifying.

(via morgue80)

diannaagron Sneak peak #1. Working on the edit with Jesse Brunt this week for @goldroom’s #tillsunrisevideo which makes me happy. Love. Directing. More to come…
diannaagron Sneak peak #1. Working on the edit with Jesse Brunt this week for @goldroom’s #tillsunrisevideo which makes me happy. Love. Directing. More to come…

(Source: jennception)

The Unholy Trinity | Then and Now

(Source: heya-addicted, via longdistancewinner)

kissmyasajj:

fuckyeahwarriorwomen:

duckindolans:

daughterofmulan:

theblindninja:

The Pirates Official Posters

What is this glorious looking glory.

WHAT IS THIS

Pirates (2014 film)

Set in the early Joseon Dynasty, a group led by a female pirate and another group led by a male bandit are on a mission to hunt down a whale that swallowed the royal seal bestowed on Joseon from China.

Yes!

(via z-tagada)

mermaidskey:

hemipelagicdredger:

mermaidskey:

mermaidskey:

oxidoreductase:

Lavoisier is having none of your shit.

Heeeey so fun fact: the woman in that painting is Lavoisier’s wife, Marie-Anne Pierrette Paulze, who not only acted as Lavoisier’s lab assistant but also translated English and Latin texts into French so he could read them. But she didn’t just translate, she pointed out errors in the chemistry in some of the texts. Her observations of these errors convinced Lavoisier to study combustion, which led to his discovery of oxygen. She was also critical to the publication of Lavoisier’s Elementary Treatise on Chemistry in 1789. She kept strict records of every experiment they conducted together and drew detailed diagrams of all their equipment. She also threw amazing parties and invited all the brightest minds in science so her husband could pick their brains. After Lavoisier was guillotined she secured all of his notebooks and equipment for posterity.
In short: NOBODY KICKS MADAME LAVOISIER OUT OF THE LAB.

Also, a side note: My historian husband-to-be pointed some things out to me about this painting. Notice that Madame Lavoisier is looking at the viewer, and all the light is on her, while Lavoisier himself is physically smaller than her, in shadow, and looking up to her in reverence. This isn’t a candid photograph- all of these choices are deliberate. The painting isn’t of Lavoisier- Madame Lavoisier is meant to be the central subject. 
I can just imagine Lavoisier telling all his colleagues that his wife is really the one with all the clever ideas, and them patting him on the back and telling him he’s sweet for saying so.

more like


I LOVE IT

mermaidskey:

hemipelagicdredger:

mermaidskey:

mermaidskey:

oxidoreductase:

Lavoisier is having none of your shit.

Heeeey so fun fact: the woman in that painting is Lavoisier’s wife, Marie-Anne Pierrette Paulze, who not only acted as Lavoisier’s lab assistant but also translated English and Latin texts into French so he could read them. But she didn’t just translate, she pointed out errors in the chemistry in some of the texts. Her observations of these errors convinced Lavoisier to study combustion, which led to his discovery of oxygen. She was also critical to the publication of Lavoisier’s Elementary Treatise on Chemistry in 1789. She kept strict records of every experiment they conducted together and drew detailed diagrams of all their equipment. She also threw amazing parties and invited all the brightest minds in science so her husband could pick their brains. After Lavoisier was guillotined she secured all of his notebooks and equipment for posterity.

In short: NOBODY KICKS MADAME LAVOISIER OUT OF THE LAB.

Also, a side note: My historian husband-to-be pointed some things out to me about this painting. Notice that Madame Lavoisier is looking at the viewer, and all the light is on her, while Lavoisier himself is physically smaller than her, in shadow, and looking up to her in reverence. This isn’t a candid photograph- all of these choices are deliberate. The painting isn’t of Lavoisier- Madame Lavoisier is meant to be the central subject. 

I can just imagine Lavoisier telling all his colleagues that his wife is really the one with all the clever ideas, and them patting him on the back and telling him he’s sweet for saying so.

more like

image

I LOVE IT

(via z-tagada)